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presents

GAETANO DONIZETTI'S


Libretto by Salvadore Cammarano
based on Sir Walter Scott's novel The Bride of Lammermoor


CAST

(in order of vocal appearance)


Normanno     Anthony LeÓn * 

Enrico    Alexander Birch Elliott *

Raimondo     Eric Owens

Lucia (Sep 17-24)     Amanda Woodbury 

Lucia (Sep 28-Oct 9)     Liv Redpath 

Alisa     Madeleine Lyon * 

Edgardo     Arturo ChacÓN -Cruz

ArturO     Anthony Ciaramitaro 


CREATIVE TEAM

CONDUCTOR     Lina GonzÁlez-Granados *

DIRECTOR     Simon Stone *

Associate Director    Brenna Corner *

SCENic DESIGNER     Lizzie Clachan *

COSTUME DESIGNER     Blanca AÑÓN *

LIGHTING DESIGNER     James Farncombe *

Projection DESIGNER    Luke Halls *

CHORUS DIRECTOR     Jeremy Frank

CHOREOGRAPHER     Kitty McNamee

Fight & Intimacy DirectOR     Andrew Kenneth Moss


ASSISTANT DIRECTOR     Anderson Nunnelley

STAGE MANAGER     Erin Thompson-Janszen


MUSICAL PREPARATION
Aaron Breid
NICHOLAS ROEHLER
Nino Sanikidze

Prompter    
Nino Sanikidze


Artists subject to change


* LA Opera debut

  Member of the Domingo-Colburn-Stein Young Artist Program

  Alumnus of the Domingo-Colburn-Stein Young Artist Program


Production made possible with generous support from

Linda and Alvaro Pascotto

GRoW @ Annenberg

Alfred and Claude Mann Fund

Laura and Carlton Seaver

With special appreciation to

Gregory and Régina Annenberg Weingarten


LA Opera's 2022/23 season generously underwritten by

GRoW @ Annenberg


LA Opera Orchestra generously underwritten by

TERRI AND JERRY KOHL



PRODUCTION NOTES

The running time is approximately three hours and 15 minutes, including two intermissions.

This production uses lighting and gunshot effects.

This presentation contains adult subject matter and depictions of violence and drug use.

English titles by Cori Ellison

Pre-performance talks by Dr. Kristi Brown-Montesano. Pre-performance talks are generously sponsored by the Flora L. Thornton Foundation and the Opera League of Los Angeles.

New production

Lucia di Lammermoor is a co-production of LA Opera and the Metropolitan Opera. Scenery, properties and electrical props constructed and painted by The Scenic Route, Pacoima, and the Metropolitan Opera Shops.

Costumes constructed by the Metropolitan Opera Costume Department. Additional shirts constructed by Cego Shirtmakers. Fabric printing by Sky NYC. Additional costumes constructed by the LA Opera Costume Shop. Wigs constructed by the LA Opera Wig & Make-Up Department.

Film excerpts from My Favorite Brunette, released by Paramount Pictures in 1947.



Please wear your mask at all times inside the theater.

Please refrain from talking during the performance, and turn off all cell phones, electronic devices and watch alarms. If you are using an assistive hearing device, or are attending with someone who is, please make sure that it is set to an appropriate level to avoid distracting audio feedback. Latecomers will be seated at the discretion of the house management. The use of cameras and recording equipment is strictly prohibited. Your use of a ticket acknowledges your willingness to appear in photographs taken in public areas of the Music Center and releases the Center and its lessees and others from liability resulting from use of such photographs. Any microphones onstage are used for recording or broadcast purposes only; onstage voices are not amplified.